HBO

Nicholas Hoult was initially cast as Gilderoy Lockhart in HBO’s upcoming Harry Potter TV series, but later withdrew due to scheduling conflicts. Kit Harington has replaced him. The casting news sparked fan backlash over Hoult’s involvement amid ongoing controversy surrounding creator J.K. Rowling’s views on transgender issues. Several cast members have distanced themselves from Rowling, highlighting the moral dilemmas and public pressure facing actors associated with the franchise.

5 reports · 2 sources · Updated Aug 25, 06:25 AM UTC

The article reflects on the enduring legacy of HBO's 'Band of Brothers' miniseries 25 years after its premiere. Actors Ross McCall and James Madio share memories of the production, including grueling basic training and bonds formed with real WWII veterans. The series, which premiered just before 9/11, became a rallying point for a grieving nation and influenced a generation of military service members. The National WWII Museum in New Orleans is hosting a 25th Anniversary Symposium on July 31 and August 1, 2026, featuring cast members. The miniseries is noted for setting the gold standard for war films and emphasizing brotherhood over combat.

1 reports · 1 sources · Updated Jul 23, 02:29 PM UTC

Tal Anderson, an autistic actress who plays Becca King on HBO's The Pitt, received her first Emmy nomination for Outstanding Guest Actress in a Drama Series for the episode '5:00 P.M.' The show leads all programs with 25 nominations for the 78th Primetime Emmy Awards. Anderson, a consistent advocate for authentic autistic representation, views the nomination as validation for the autistic and disabled community. She credits the entire cast and crew for the achievement and emphasizes the importance of bringing her lived experience to the role. Anderson also discusses her on-screen chemistry with Taylor Dearden, who plays her twin sister, and how the role has boosted her confidence to pursue writing and producing.

1 reports · 1 sources · Updated Jul 21, 11:02 PM UTC

The article details the high-stakes bidding war for Warner Bros. Discovery (WBD), which began in October 2025 when WBD explored a sale due to debt and declining cable viewership. Netflix initially offered $82.7 billion for WBD's studios and streaming assets, but Paramount, led by David Ellison with backing from his father Larry Ellison, won with an $111 billion bid for all WBD assets including HBO, CNN, and HGTV. The U.S. Department of Justice approved the deal in June 2026, but a federal judge paused it on July 20, 2026, following a lawsuit by 12 state attorneys general filed on July 13. The article breaks down the timeline, key players, and potential next steps in this landmark media merger.

1 reports · 1 sources · Updated Jul 21, 02:15 PM UTC

This Forbes review analyzes Season 3, Episode 5 of House of the Dragon, titled 'A Feast For Traitors.' The episode focuses on resentment and bitterness among key characters. Aegon, crippled and bitter, travels with Larys Strong, who delivers a scathing critique of Aegon's failures as king and man. Aegon later kills a sellsword who finds his crown, asserting his authority. At Harrenhal, Aemond is haunted by nightmares of his brother and is vulnerable after Vhagar flees. He defends the witch Alys Rivers from attackers in a brutal fight. The review highlights strong dialogue and character development, particularly for Larys and Aegon.

1 reports · 1 sources · Updated Jul 20, 09:30 PM UTC

The article analyzes the role of Alys Rivers in HBO's 'House of the Dragon,' based on George R.R. Martin's book 'Fire & Blood.' Introduced in season two as the unofficial maester of Harrenhal, Alys is a mysterious figure who uses potions and magic to manipulate Daemon Targaryen, guiding him to support his wife Rhaenyra. In season three, she demands Harrenhal as a reward, but Daemon dismisses her. The article notes that in the book, Alys is suspected to be a witch of unknown age, possibly using dark magic to preserve her youth. After Daemon leaves, she forms a bond with Prince Aemond Targaryen, who kills the remaining Strongs but spares her. The analysis suggests Alys will become a formidable player in the ongoing Targaryen civil war.

1 reports · 1 sources · Updated Jul 20, 01:35 AM UTC

Forbes reports that House of the Dragon Season 3, Episode 5 will air on HBO and Max on Sunday, July 19, 2026, at 9pm ET / 6pm PT, with a runtime of 64 minutes (68 minutes including credits). The article notes that Season 3 has the highest Rotten Tomatoes score of any season at 92%, though viewership has dropped. The episode is the fifth of eight in the season, with three episodes remaining after this one. The plot involves the Starks and Riverlanders marching toward Tumbleton, Ser Criston Cole's army struggling through swamplands, and Rhaenyra struggling to hold King's Landing. The article also provides a full season release schedule and links to recaps of previous episodes.

1 reports · 1 sources · Updated Jul 19, 11:00 AM UTC

This entertainment article recaps the most sexually explicit and controversial moments involving actress Sydney Sweeney’s character, Cassie Howard, in the HBO series Euphoria. With the show’s third season reintroducing the character, the piece highlights how Cassie’s storyline has evolved from teenage drama to adult controversies, including launching an OnlyFans account to pay for wedding expenses after her fiancé Nate Jacobs faces financial ruin. The author notes that creator Sam Levinson appears to have leaned into Sweeney’s real-life public persona, which has often involved playful engagement with her sexual image, such as her SNL Hooters skit. Key scenes analyzed include Cassie’s first sexual encounter with McKay in Season 1, her infamous public orgasm on a carousel while under the influence of MDMA, and her secret affair with Nate in Season 2, which betrays her best friend Maddy. The article also discusses fan reactions to the increased sexualization of the character in Season 3, particularly regarding the OnlyFans plotline, framing these moments as central to the show’s provocative appeal and Sweeney’s rising star power.

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This entertainment guide outlines key television and streaming options for Saturday, May 15, 2026. The headline feature is the new Netflix series spun off from 'La Casa de Papel,' focusing on the character Berlin. Set in Seville, the plot involves Berlin and his gang staging a heist of Leonardo Da Vinci's 'Lady with an Ermine' to counter blackmail attempts by the Duke and Duchess of Malaga. Other notable recommendations include 'The Maid,' a thriller starring Sydney Sweeney and Amanda Seyfried about secrets within a wealthy family, available on Telecine Premium. HBO offers 'A Good Ball Goat,' an animated sports comedy produced by Stephen Curry. A&E broadcasts the martial arts film 'The Assassin Monk,' while Universal+ airs 'Saturday Night Live' hosted by Will Ferrell with musical guest Paul McCartney. Prime Video features 'Eddington,' a modern western starring Joaquin Phoenix and Pedro Pascal set during the pandemic. Finally, Globoplay presents 'The Hanged,' a Brazilian crime drama involving a couple linked to illegal gambling. The article provides viewing platforms, times, and age ratings for each title, serving as a comprehensive weekend watch list for subscribers of various services.

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This article analyzes the financial standings of prominent late-night television hosts, revealing Jon Stewart as the wealthiest with a reported net worth of $120 million and an annual salary of $25 million for his role on Comedy Central’s The Daily Show. The report coincides with the cancellation of Stephen Colbert’s The Late Show after nearly 11 years, marking his final episode in May 2026. In support of Colbert, hosts Jimmy Kimmel, Jimmy Fallon, John Oliver, and Seth Meyers reunited on their Strike Force Five podcast. John Oliver ranks second with an $80 million net worth and a $30 million annual salary for Last Week Tonight, while Stephen Colbert holds third place with $75 million and a $15 million salary. The piece highlights the significant income disparities among hosts who have led major programs for over a decade. It also touches on the recent contract extension for Stewart through December 2026 and Oliver’s reflections on job security amidst industry changes. The analysis provides a comparative look at the earnings and career trajectories of these influential figures in American late-night comedy.

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Euphoria actress Chloe Cherry has openly discussed her extensive use of cosmetic injectables in a recent installment of Vogue’s Beauty Secrets series. The 28-year-old star revealed that she has received so much lip filler over the years that she no longer requires numbing cream for the procedure, stating she has become accustomed to the sensation. Cherry admitted that her journey with Botox and fillers began due to dissatisfaction with her appearance, eventually becoming a regular maintenance routine. She notably claimed that frequent Botox injections in her forehead have led to muscle atrophy. While Cherry expresses satisfaction with her enhanced features, the article contrasts her perspective with other celebrities who have recently regretted or reversed similar treatments. Stars such as Kesha, Brooks Nader, Lisa Kudrow, and Paige DeSorbo have publicly shared their negative experiences with fillers and Botox, with some choosing to dissolve injections or stop treatments entirely after feeling they went too far. This report highlights the diverging attitudes within Hollywood regarding cosmetic enhancement, juxtaposing Cherry's acceptance against a growing trend of peers rejecting invasive beauty standards.

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This article critiques Jack Thorne’s four-part Netflix adaptation of William Golding’s Lord of the Flies, directed by Marc Munden. The reviewer argues that the series suffers from bloated artistic pretension, including excessive use of fish-eye lenses, slow motion, and bombastic music, which obscures the brutal clarity of the original 1954 novel. While critics have praised the script as a companion to Thorne’s previous work Adolescence, the author contends that the adaptation feels like aesthetic showing off, resulting in poor audience scores. Despite the directional flaws, the performance of the untrained child actors is highlighted as the series' saving grace, grounding the story in empathy. The review analyzes the portrayal of key characters such as Piggy, Ralph, Jack, and Simon, noting how the series shifts focus from the novel’s streamlined narrative to extended backstories. Ultimately, the piece suggests that Thorne’s attempt to reinterpret the novel’s themes on human savagery fails to capture the source material’s profound simplicity, replacing it with sentimental and visually overwhelming distractions.

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Two-time Tony Award winner Kara Young is expanding her presence in cinema with significant roles in two new releases this month. While primarily known for her acclaimed stage work, including back-to-back Tony wins for Purpose and Purlie Victorious, Young is now featured in the thriller Is God Is and Boots Riley’s I Love Boosters. In Is God Is, adapted from Aleshea Harris’s play, Young portrays Racine, a woman seeking violent revenge against her father alongside her twin sister. The film blends theatrical elements with cinematic techniques like split-screens to depict the sisters' bond. Meanwhile, fans can currently stream Young’s standout performance in the PBS Great Performances broadcast of Purlie Victorious, where she played Lutiebell Gussie Mae Jenkins opposite Leslie Odom Jr. This transition marks a notable shift for Young, who has appeared in only a few feature films previously but is gaining recognition through high-profile projects and consistent critical acclaim on Broadway, including her current role in the revival of Proof.

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This review from Reason.com analyzes the first season of HBO's Game of Thrones spinoff, A Knight of the Seven Kingdoms, interpreting its central narrative through the lens of occupational licensing. The article highlights the ambiguity surrounding the protagonist, Duncan the Tall, and whether he holds the official title of knight. Despite lacking formal credentials, Dunk demonstrates the virtues of knighthood through bravery, justice, and defense of the innocent. The reviewer draws a parallel between the fictional threat of execution for falsely claiming knighthood and modern regulatory burdens faced by professionals like hair braiders and cosmetologists. While acknowledging that modern penalties are less severe than capital punishment, the author argues that both systems impose silly and unnecessary restrictions on individuals who perform their duties competently without state-sanctioned permission. The piece uses the fantasy drama to critique the broader concept of occupational licensing, suggesting that competence and ethical conduct should matter more than bureaucratic certification. Ultimately, the review posits that the question of Dunk's official status is secondary to his actual actions and character, serving as a metaphor for the inefficiencies of modern regulatory frameworks.

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The new Paramount+ series Dutton Ranch has emerged as a satisfying continuation for fans of the hit Western drama Yellowstone, which concluded with a controversial and rushed final season. Following the off-screen assassination of John Dutton and the sale of the family ranch, protagonists Beth Dutton and Rip Wheeler attempt to start a peaceful life in Dillon, Montana. However, their tranquility is short-lived as a sudden wildfire destroys their new home, forcing them back into the cycle of violence that defines the Dutton legacy. The article argues that despite contractual limitations preventing it from being officially labeled Yellowstone Season 6, Dutton Ranch effectively serves that purpose by retaining key characters and the original show's tone. This launch contrasts sharply with the previous spinoff, Marshals, which failed to capture the audience's interest. Creator Taylor Sheridan’s latest effort is praised for recapturing the authentic appeal that made the original series a cultural phenomenon, offering a narrative worthy of carrying the franchise forward amidst previous behind-the-scenes turmoil.

1 reports · 1 sources

This news digest covers several key developments in Minnesota. Primarily, Anoka County has accused House DFL Leader Zack Stephenson of using the legislative process for political revenge regarding a dispute over a new jail. Although the lawsuit names the Minnesota Department of Transportation, court filings reveal text messages where Stephenson described redirecting $6.2 million in transportation funds to Anoka for a pedestrian bridge as retribution for the county's jail plans. In legal news, former State Senator Justin Eichorn pleaded guilty in federal court to attempted possession of child pornography, facing 15 to 21 months in prison. Additionally, new statewide health education standards covering nutrition, consent, and media literacy are set to phase into public K-12 schools over the next three years. On the cultural front, Minneapolis chef Yia Vang is featured in a new HBO documentary exploring Asian and Pacific Islander identities. Finally, the Tri-County Humane Society announced low-cost pet microchip clinics to help reunite lost pets with owners.

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This article from Folha de S.Paulo's 'Maratonar' newsletter recommends five streaming series centered on themes of power, financial disputes, and corporate intrigue. The recommendations are framed against the backdrop of recent real-world financial scandals in Brazil, such as the collapse of Banco Master. The highlighted shows include HBO's 'Industry,' which depicts young professionals navigating the high-stakes financial market; Apple TV+'s 'WeCrashed,' detailing the rise and fall of WeWork founder Adam Neumann; and Globoplay's documentary 'The Testament: The Secret of Anita Harley,' which explores the control dispute over the Brazilian retailer Pernambucanas. The piece suggests these fictional and non-fictional narratives offer viewers a way to process complex business realities through entertainment. By juxtaposing current events with scripted dramas, the article provides cultural commentary and viewing tips for audiences interested in business dynamics, corporate governance failures, and the personal costs of ambition. It serves as a curated guide for consumers overwhelmed by streaming options, specifically targeting those interested in stories about wealth, influence, and institutional corruption.

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Doug Ellin, the creator of the hit HBO series 'Entourage,' attended the securities fraud trial of prominent short-seller Andrew Left in Los Angeles on Thursday. Ellin stated he was present to support Left, whom he described as a 'good friend.' The appearance highlights a pop culture connection, as Left was reportedly referenced in a third-season episode of the show under the name 'Andy Left.' Left is currently facing serious charges of market manipulation and deceiving retail investors, with prosecutors alleging he generated over $20 million in illicit profits. His defense team argues that Left merely shared his honestly held opinions about the stocks in question. This trial, which began recently and is expected to last three weeks, marks a significant legal challenge for Left, who gained fame for betting against major companies like Valeant Pharmaceuticals and GameStop. The presence of a high-profile entertainment figure like Ellin adds a unique dimension to the courtroom proceedings, drawing additional media attention to the case. The trial is taking place in a Los Angeles court, where both sides are presenting their arguments regarding the legality of Left's trading activities and public statements.

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This article highlights a golden age of disaster television, driven by streaming platforms' substantial budgets and demand for content. It reviews eight notable series that dramatize both historical and recent catastrophes, including tsunamis, nuclear meltdowns, hurricanes, and floods. Key examples include HBO’s 'Tsunami: The Aftermath,' which explores the human cost of the 2004 Indian Ocean Tsunami through the eyes of survivors and journalists. HBO’s 'Chernobyl' is praised for its accurate depiction of the political deceit surrounding the 1986 nuclear disaster. Apple TV+’s 'Five Days at Memorial' examines the ethical dilemmas faced by medical staff during Hurricane Katrina, serving as an indictment of institutional neglect. Additionally, Netflix’s 'High Water' recounts the 1997 catastrophic flooding in Poland, focusing on bureaucratic failures. The analysis suggests these series offer compelling narratives that blend thriller elements with social commentary, revealing how different communities value human life amidst crisis and exposing systemic flaws in government and corporate responses to disasters.

1 reports · 1 sources

Prediction markets on the Kalshi platform indicate a significantly low probability that George R.R. Martin will announce a release date for The Winds of Winter in 2026. Currently, contracts betting against an announcement are trading at 87 cents, implying an 87% chance that no official date will be revealed this year. Conversely, the likelihood of an announcement is rated at only 13%. This pessimistic outlook stems from Martin’s publicly stalled progress, with the manuscript remaining at approximately 1,100 pages since late 2022. Traders also cite Martin’s increasing involvement in other projects, particularly the production of House of the Dragon season three, as a major distraction diverting attention from completing the sixth book in the A Song of Ice and Fire series. With the new HBO season expected to premiere in June 2026, market participants anticipate further delays. These prediction markets are considered by some analysts to be more accurate than traditional commentary, as traders prioritize raw data and historical patterns of missed deadlines over optimistic rumors. The findings suggest that fans should not expect the long-awaited novel to arrive imminently, extending a fourteen-year wait for the next installment in the global fantasy phenomenon.

1 reports · 1 sources

This opinion piece by journalist Rubinho Vitti marks the third anniversary of the death of Brazilian rock icon Rita Lee. Writing for Folha de S.Paulo, Vitti addresses Lee directly, reflecting on her passing with humor and affection, referencing her wish to leave Earth in a flying saucer. The article contrasts the chaotic state of the world, including ongoing wars and environmental degradation, with the enduring vibrancy of Lee's cultural legacy. It highlights the continued success of tributes to her life, such as the touring musical based on her autobiography and its adaptation into a monologue starring actress Lília Cabral. Additionally, the text notes the popularity of recent documentaries, including HBO's 'Mania de Você' and the box-office hit 'Ritas,' which topped cinema charts in 2025. Vitti emphasizes how Lee's influence persists among younger generations and even inspired personal positive changes, such as quitting smoking. The piece serves as both a memorial and a commentary on how Lee's spirit remains alive through art, despite the deteriorating global context she left behind.

1 reports · 1 sources

Filming for the third season of HBO's The Last of Us is currently underway, with showrunner Craig Mazin providing insights into the upcoming narrative focus on the character Abby. Following the events of season two, season three will adapt the second half of the video game The Last of Us Part II, shifting perspective to Abby, who killed Joel out of revenge for her father's death. Mazin emphasizes that the season will challenge viewers by denying them clear heroes or villains, forcing them to reconcile with the idea that beloved characters are not always good. He highlights themes of empathy, tribalism, and the difficulty of forgiving those who have caused personal grief. Kaitlyn Dever, who portrays Abby, is praised by Mazin for her ability to instantly garner audience sympathy. Notably, this season marks the first without Neil Druckmann as co-showrunner, as he steps back to focus on Naughty Dog's gaming projects. Despite his departure, HBO executives remain confident in the established blueprint for the series. The production aims to explore complex moral questions through a shift in narrative perspective.

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This opinion piece analyzes the cultural phenomenon of audiences continuing to support entertainment franchises despite serious allegations against their creators. It highlights the commercial success of the Michael Jackson biopic "Michael," which has earned nearly $590 million globally, even as new claims of child sexual abuse emerge. The author contrasts this with the upcoming HBO reboot of "Harry Potter," which has garnered record-breaking trailer views despite author J.K. Rowling’s controversial stance on transgender issues. The article argues that society is increasingly comfortable separating art from the artist, moving past the guilt associated with consuming content created by problematic figures. It critiques the concept of "cancel culture" as nonexistent, citing comedians like Dave Chappelle who have maintained fame despite controversy. Ultimately, the text suggests that while individuals may personally struggle with these moral contradictions, the broader audience largely ignores or dismisses allegations in favor of entertainment, indicating a shift in how collective memory and affection for pop culture icons are managed amidst damning information.

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Actor Noah Wyle has provided significant updates regarding the third season of the HBO medical drama 'The Pitt.' He confirmed that the new season is set in early November, shortly before the holidays, taking place within the same year as season two. This timeline introduces new emergencies and complications for the staff at the Pittsburgh hospital. Regarding production, filming is scheduled to begin just one month after the conclusion of season two, indicating an accelerated schedule compared to previous seasons. Consequently, an early January release date is highly probable, with January 7 cited as a likely specific date. In terms of cast changes, Supriya Ganesh’s character, Dr. Mohan, will not return, with the narrative explanation being that she is simply not working on the depicted day. However, the core young cast members and nurse Emma Nolan are confirmed to return. The series continues to garner critical acclaim, including recent Emmy wins, and maintains its unique format of 15-episode seasons. While rumors of a 'Night Shift' spinoff persist, no official announcements have been made. Fans can expect trailers to be released within the coming month as production ramps up.

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Demi Moore's recent remarks regarding artificial intelligence in the entertainment industry have sparked significant debate on social media following her appearance at the Cannes Film Festival. As a jury member, Moore argued that resisting AI is a losing battle, suggesting instead that professionals should find ways to collaborate with the technology. This stance has divided public opinion, with many critics labeling her comments as dismissive of the potential threats AI poses to creative jobs. Amidst this controversy, fans of the HBO series Hacks have highlighted a striking parallel in Season 5, Episode 6, which aired prior to Moore's statements. The episode features dialogue that seemingly critiques the inevitability of AI, offering what viewers describe as the perfect counter-argument to Moore's position. While some users argue that accepting AI simply because it exists is meaningless and dangerous, others point to the fictional narrative as a prescient commentary on the real-world tensions between human creativity and automated technologies in Hollywood.

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This article provides a comprehensive guide to saving on Starz subscriptions in May 2026, highlighting various promotional offers and discounts. Starz, known for gritty original series like Power and Outlander, positions itself as a cost-effective alternative to HBO Max, offering ad-free content and four simultaneous streams. New subscribers can access a special deal paying only $5 per month for the first three months. Additionally, users with existing Amazon Prime Video or Hulu accounts can utilize a seven-day free trial, though they must cancel before it converts to a standard monthly fee of $11 or $12. Students with Hulu subscriptions can add Starz for $12 per month after verifying their status. The platform features a diverse library including Lionsgate films and the Starz Encore suite with Spanish-language and niche genre content. These deals aim to attract new viewers and retain existing ones by emphasizing affordability and flexible viewing options compared to competitors restricting multiple streams.

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In this article from The Spinoff, critics Mad Chapman and Claire Mabey discuss Lena Dunham’s new memoir, 'Famesick,' which chronicles the years she created, wrote, and starred in the hit HBO series 'Girls.' Both reviewers, self-identified fans of the show, praise Dunham’s writing style, noting its significant influence on millennial personal essays and online storytelling. While they acknowledge minor structural issues and repetition in the book, they highlight its engaging nature and Dunham’s radical honesty. The conversation explores the blurred lines between Dunham and her character Hannah Horvath, revealing how real-life interactions were transplanted into the series. They also reflect on their differing initial receptions of 'Girls,' with Chapman initially disliking it before becoming a devoted fan, while Mabey was immediately captivated. The review underscores the immense pressure Dunham faced as a young creator dealing with undiagnosed illness and industry ambitions. Ultimately, the piece serves as both a literary critique and a nostalgic reflection on the cultural impact of 'Girls' and Dunham’s unique voice in modern media.

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SiriusXM host Megyn Kelly has publicly challenged the credibility of Wade Robson and James Safechuck, the two men who accused Michael Jackson of sexual abuse in the HBO documentary Leaving Neverland. During a discussion with defense attorney Mark Geragos, Kelly stated that her independent investigation into the allegations revealed massive inconsistencies in their stories. She criticized the documentary for presenting a one-sided narrative and failing to ask difficult questions, accusing filmmaker Dan Reed and Oprah Winfrey of overlooking glaring issues. While Kelly stopped short of fully exonerating Jackson, noting she would not definitively judge his guilt, she emphasized the serious credibility problems surrounding the accusers. This commentary arises amidst renewed public interest in Jackson’s legacy due to the upcoming Michael biopic. Robson and Safechuck allege Jackson groomed and abused them as children, claims strongly denied by Jackson’s estate, which has previously sued HBO over the documentary. Kelly compared her review of the Jackson case to her analysis of allegations against Woody Allen, highlighting the complexities and contradictions present in high-profile abuse accusations within the entertainment industry.

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HOORAE, the culture-driven media company founded by Issa Rae, has expanded its audio portfolio with the launch of a new original podcast titled 'BLOCC PARTY: An Insecure Podcast.' The first episode is now available, marking a significant milestone as the series celebrates its tenth anniversary. Hosted by Issa Rae, the creator and star of the Emmy-nominated HBO comedy 'Insecure,' alongside Prentice Penny, the show’s acclaimed showrunner, the podcast offers an intimate behind-the-scenes look at the groundbreaking series. It features candid conversations that revisit iconic episodes, unpack fan-favorite storylines, and explore the show's lasting influence on identity, relationships, and modern storytelling. The podcast includes insights from key creatives such as director Melina Matsoukas and head writer Amy Aniobi. Distributed via Audioboom, YouTube through HOORAE Media, and HBO Max, the weekly release aims to deepen the cultural conversations initiated by the television series. This launch underscores HOORAE Media’s strategy to extend its cultural impact beyond screen content into digital and audio platforms, empowering distinctive voices within the entertainment industry.

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Maurício Stycer, a journalist and TV critic for Folha de S.Paulo, analyzes the third season of the HBO series Euphoria, which premiered in April 2026 after a four-year hiatus. The article argues that while the first two seasons depicted the dark, unfiltered realities of teenage life including drug addiction and sexual violence, the new season presents adulthood as even more grim. Set during the second Trump administration, the characters have transitioned into young adults facing precarious economic conditions. Opportunities for female characters are limited to unstable office jobs, OnlyFans, sugar baby arrangements, or drug trafficking, while male character Nate engages in real estate scams. The critic highlights Sydney Sweeney’s character, Cassie, as the standout performance of the season, surpassing even protagonist Rue Bennett, played by Zendaya. The piece notes the show's original inspiration from 1990s films like Trainspotting and Kids, and addresses previous controversies regarding its portrayal of drug use. Ultimately, the analysis suggests that the series has evolved from a critique of adolescent turmoil to a commentary on the harsh socioeconomic realities facing young adults in contemporary America.

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