Wayne McGregor on Abstract Dance and New Royal Ballet Premiere
Renowned choreographer Wayne McGregor discusses his latest triple bill at the Royal Ballet and Opera, emphasizing the value of abstract dance over narrative-driven performances. In an interview, McGregor critiques the trend of risk-averse cultural institutions relying on recognizable titles, arguing that dance, like music, opens non-literal channels of perception. His new program features previous hits Untitled and Yugen, alongside the world premiere of Quantum Souls. This new piece is described as pure dance and music, devoid of stage technology, featuring live improvisation by percussionist Beibei Wang and composition by Bushra El-Turk. Inspired by Isaac Asimov’s science fiction novel Nightfall, the work focuses on the dramaturgy of light within a massive yellow open stage. McGregor also reflects on his physical aging process, his concept of physical intelligence, and his objection to critics writing during performances, which he believes disrupts sensorial engagement. The article highlights his continued influence in blending artistic disciplines and challenging traditional ballet expectations.
Wire timeline
Wayne McGregor on Abstract Dance and New Royal Ballet Premiere
Renowned choreographer Wayne McGregor discusses his latest triple bill at the Royal Ballet and Opera, emphasizing the value of abstract dance over narrative-driven performances. In an interview, McGregor critiques the trend of risk-averse cultural institutions relying on recognizable titles, arguing that dance, like music, opens non-literal channels of perception. His new program features previous hits Untitled and Yugen, alongside the world premiere of Quantum Souls. This new piece is described as pure dance and music, devoid of stage technology, featuring live improvisation by percussionist Beibei Wang and composition by Bushra El-Turk. Inspired by Isaac Asimov’s science fiction novel Nightfall, the work focuses on the dramaturgy of light within a massive yellow open stage. McGregor also reflects on his physical aging process, his concept of physical intelligence, and his objection to critics writing during performances, which he believes disrupts sensorial engagement. The article highlights his continued influence in blending artistic disciplines and challenging traditional ballet expectations.
Evening Standard