Samuel Preston Reflects on Big Brother Fame and Ordinary Boys Reunion
Samuel Preston, lead singer of the indie-punk band the Ordinary Boys, reflects on his tumultuous career trajectory following his appearance on the 2006 Celebrity Big Brother. Initially gaining cult status with hits like 'Boys Will Be Boys,' Preston's fame skyrocketed due to his controversial relationship with fellow contestant Chantelle Houghton, a experience he describes as a nightmare that led to mental health struggles and addiction. After years living in the US and establishing himself as a successful songwriter for major artists such as Kylie Minogue and Olly Murs, Preston is now making a musical comeback. The Ordinary Boys have released their first new single since 2015, titled 'Peer Pressure,' and recently performed their first gig in a decade in London. In this interview, Preston discusses his past trauma, including a near-death experience and OxyContin addiction, while re-evaluating the political messages in his early work. He expresses no nostalgia for the mid-2000s indie scene but acknowledges the band's renewed relevance as they return to the stage.
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Samuel Preston Reflects on Big Brother Fame and Ordinary Boys Reunion
Samuel Preston, lead singer of the indie-punk band the Ordinary Boys, reflects on his tumultuous career trajectory following his appearance on the 2006 Celebrity Big Brother. Initially gaining cult status with hits like 'Boys Will Be Boys,' Preston's fame skyrocketed due to his controversial relationship with fellow contestant Chantelle Houghton, a experience he describes as a nightmare that led to mental health struggles and addiction. After years living in the US and establishing himself as a successful songwriter for major artists such as Kylie Minogue and Olly Murs, Preston is now making a musical comeback. The Ordinary Boys have released their first new single since 2015, titled 'Peer Pressure,' and recently performed their first gig in a decade in London. In this interview, Preston discusses his past trauma, including a near-death experience and OxyContin addiction, while re-evaluating the political messages in his early work. He expresses no nostalgia for the mid-2000s indie scene but acknowledges the band's renewed relevance as they return to the stage.
The Guardian