Review: Sting and Shaggy Star in Renewed Musical 'The Last Ship' in Brisbane
Music legend Sting returns to the stage in a renewed production of his musical, The Last Ship, currently playing at the Glasshouse Theatre within the Queensland Performing Arts Centre in Brisbane. At 74, Sting portrays Jackie White, a foreman grappling with his failing health and the impending closure of his shipyard in Wallsend, England. The narrative draws heavily from Sting’s own childhood experiences growing up near the Swan Hunter factory. He is joined by reggae icon Shaggy, who plays the Wallsend Ferryman, bringing a distinct warmth and vocal versatility to the role. The review highlights the immersive industrial set design by 59 Studio, which seamlessly blends digital projections with physical scenery. While noting that Sting’s voice has lost some of its former power, the critique praises his authentic presence and the strong performances of the supporting cast, particularly Lauren Samuels and Joe Caffrey. The production is described as sincere, though occasionally cloying, with its most powerful moments arising from ensemble choral numbers that emphasize collective strength. This international run marks a significant cultural moment for Brisbane, positioning it alongside major global arts destinations.
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Review: Sting and Shaggy Star in Renewed Musical 'The Last Ship' in Brisbane
Music legend Sting returns to the stage in a renewed production of his musical, The Last Ship, currently playing at the Glasshouse Theatre within the Queensland Performing Arts Centre in Brisbane. At 74, Sting portrays Jackie White, a foreman grappling with his failing health and the impending closure of his shipyard in Wallsend, England. The narrative draws heavily from Sting’s own childhood experiences growing up near the Swan Hunter factory. He is joined by reggae icon Shaggy, who plays the Wallsend Ferryman, bringing a distinct warmth and vocal versatility to the role. The review highlights the immersive industrial set design by 59 Studio, which seamlessly blends digital projections with physical scenery. While noting that Sting’s voice has lost some of its former power, the critique praises his authentic presence and the strong performances of the supporting cast, particularly Lauren Samuels and Joe Caffrey. The production is described as sincere, though occasionally cloying, with its most powerful moments arising from ensemble choral numbers that emphasize collective strength. This international run marks a significant cultural moment for Brisbane, positioning it alongside major global arts destinations.
The Guardian