Review: Samuel Hasselhorn’s Schubert ‘Hoffnung’ Showcases Timbral and Emotional Flexibility
This review from The Guardian examines the new album 'Hoffnung' by German baritone Samuel Hasselhorn and pianist Ammiel Bushakevitz, released under Harmonia Mundi. The recording is part of the label's ambitious Schubert 200 project, aiming to document all of Franz Schubert’s songs composed from 1823 onwards ahead of the 2028 bicentenary of his death. Focusing on works from 1826, a year marked by Schubert’s optimism, the album features tracks such as 'Im Freien,' 'Alinde,' and Shakespearean settings like 'Who is Silvia?'. The critic praises Hasselhorn’s communicative diction and Bushakevitz’s poetic phrasing, noting their ability to create rapt intimacy. Hasselhorn’s vocal performance is highlighted for its dark, chocolatey foundation combined with a light, airy upper register, avoiding excessive crooning. The review describes his dramatic range as an 'iron fist in a velvet glove,' particularly in 'Über Wildemann,' while noting the openhearted vitality in 'Fischerweise.' Overall, the album is commended for its ample supply of timbral and emotional flexibility, establishing Hasselhorn as a leading figure among young lieder singers.
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Review: Samuel Hasselhorn’s Schubert ‘Hoffnung’ Showcases Timbral and Emotional Flexibility
This review from The Guardian examines the new album 'Hoffnung' by German baritone Samuel Hasselhorn and pianist Ammiel Bushakevitz, released under Harmonia Mundi. The recording is part of the label's ambitious Schubert 200 project, aiming to document all of Franz Schubert’s songs composed from 1823 onwards ahead of the 2028 bicentenary of his death. Focusing on works from 1826, a year marked by Schubert’s optimism, the album features tracks such as 'Im Freien,' 'Alinde,' and Shakespearean settings like 'Who is Silvia?'. The critic praises Hasselhorn’s communicative diction and Bushakevitz’s poetic phrasing, noting their ability to create rapt intimacy. Hasselhorn’s vocal performance is highlighted for its dark, chocolatey foundation combined with a light, airy upper register, avoiding excessive crooning. The review describes his dramatic range as an 'iron fist in a velvet glove,' particularly in 'Über Wildemann,' while noting the openhearted vitality in 'Fischerweise.' Overall, the album is commended for its ample supply of timbral and emotional flexibility, establishing Hasselhorn as a leading figure among young lieder singers.
The Guardian