Review: 'Obsession' Twists Rom-Com Tropes into a Psychological Horror Nightmare
Curry Barker’s debut feature film, 'Obsession,' produced by Blumhouse, is reviewed as a compelling psychological horror that subverts romantic comedy conventions. The narrative follows Bear, a lonely musical instrument store employee played by Michael Johnston, who becomes obsessed with his childhood friend and colleague, Nikki (Inde Navarrette). Desperate for her affection, Bear uses a magical artifact called the One Wish Willow to force Nikki to love him. While the wish initially grants his desire, the relationship quickly devolves into a toxic nightmare, exploring themes of consent, male ego, and the thin line between passion and madness. The review praises Barker for creating unbearable tension and paranoia without relying on cheap jump scares, highlighting the film's intense scrutiny of intimate dynamics. Although the ending is noted as somewhat abrupt, the film is celebrated as a successful and uncomfortable thriller. Premiered at the Bifff festival, this production marks a significant step for Barker, transitioning from online comedy and short films to a well-received feature that stands out among Blumhouse's recent releases.
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Review: 'Obsession' Twists Rom-Com Tropes into a Psychological Horror Nightmare
Curry Barker’s debut feature film, 'Obsession,' produced by Blumhouse, is reviewed as a compelling psychological horror that subverts romantic comedy conventions. The narrative follows Bear, a lonely musical instrument store employee played by Michael Johnston, who becomes obsessed with his childhood friend and colleague, Nikki (Inde Navarrette). Desperate for her affection, Bear uses a magical artifact called the One Wish Willow to force Nikki to love him. While the wish initially grants his desire, the relationship quickly devolves into a toxic nightmare, exploring themes of consent, male ego, and the thin line between passion and madness. The review praises Barker for creating unbearable tension and paranoia without relying on cheap jump scares, highlighting the film's intense scrutiny of intimate dynamics. Although the ending is noted as somewhat abrupt, the film is celebrated as a successful and uncomfortable thriller. Premiered at the Bifff festival, this production marks a significant step for Barker, transitioning from online comedy and short films to a well-received feature that stands out among Blumhouse's recent releases.
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