Reckonwrong's Debut Album 'How Long Has It Been?' Reviewed
London musician Alex Peringer, known professionally as Reckonwrong, has released his self-titled debut album, 'How Long Has It Been?', marking a significant stylistic shift from his earlier experimental dance music. A decade after intriguing underground club circles with complex time signatures and eclectic influences, Peringer presents a collection of atmospheric bedroom-pop ballads centered on themes of winter and introspection. The album replaces previous discordant constructions with warm Rhodes electric piano melodies and earnest sentiment, though traces of his eccentricity remain through subtle glitches and wonky elements. Critics compare the work to artists like Arthur Russell and Robert Wyatt, highlighting Peringer's off-kilter vocals and emotional depth. The review also notes other recent experimental releases, including works by Index for Working Musik, Inrain, and Damo's Room, positioning Peringer's album within a broader context of innovative contemporary music. This release breaks several years of near silence from the artist, offering a charming yet slightly unconventional listening experience that balances soft arrangements with underlying musical quirks.
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Reckonwrong's Debut Album 'How Long Has It Been?' Reviewed
London musician Alex Peringer, known professionally as Reckonwrong, has released his self-titled debut album, 'How Long Has It Been?', marking a significant stylistic shift from his earlier experimental dance music. A decade after intriguing underground club circles with complex time signatures and eclectic influences, Peringer presents a collection of atmospheric bedroom-pop ballads centered on themes of winter and introspection. The album replaces previous discordant constructions with warm Rhodes electric piano melodies and earnest sentiment, though traces of his eccentricity remain through subtle glitches and wonky elements. Critics compare the work to artists like Arthur Russell and Robert Wyatt, highlighting Peringer's off-kilter vocals and emotional depth. The review also notes other recent experimental releases, including works by Index for Working Musik, Inrain, and Damo's Room, positioning Peringer's album within a broader context of innovative contemporary music. This release breaks several years of near silence from the artist, offering a charming yet slightly unconventional listening experience that balances soft arrangements with underlying musical quirks.
The Guardian