Mid Wales Opera’s Dido and Aeneas Review: Young Talent Shines at Brecon Cathedral
Mid Wales Opera delivered a remarkable production of Henry Purcell’s Dido and Aeneas at Brecon Cathedral, created during an intensive single week of rehearsal. The performance featured a blend of rising professional stars and local amateur singers, reflecting the company’s mission to nurture community talent. Conductor Jonathan Lyness provided careful accompaniment, particularly in the recitatives, while the amateur chorus effectively portrayed various roles with distinct physicality and vocal range. Director Richard Studer designed a starkly simple yet effective set, utilizing a central metal structure and symbolic costuming, including golden facial adornments and a velvet river of blood for Dido’s demise. Soprano Kathy Macaulay portrayed Queen Dido with grace and vulnerability, delivering a moving final aria supported by the MWO string ensemble. The review highlights the emotional impact of the tragic ending and the appropriateness of the opera for this community-focused staging. Although not awarded full five stars, the production received high praise for its achievement and heart-wrenching conclusion, showcasing the potential of young Welsh talent in classical opera.
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Mid Wales Opera’s Dido and Aeneas Review: Young Talent Shines at Brecon Cathedral
Mid Wales Opera delivered a remarkable production of Henry Purcell’s Dido and Aeneas at Brecon Cathedral, created during an intensive single week of rehearsal. The performance featured a blend of rising professional stars and local amateur singers, reflecting the company’s mission to nurture community talent. Conductor Jonathan Lyness provided careful accompaniment, particularly in the recitatives, while the amateur chorus effectively portrayed various roles with distinct physicality and vocal range. Director Richard Studer designed a starkly simple yet effective set, utilizing a central metal structure and symbolic costuming, including golden facial adornments and a velvet river of blood for Dido’s demise. Soprano Kathy Macaulay portrayed Queen Dido with grace and vulnerability, delivering a moving final aria supported by the MWO string ensemble. The review highlights the emotional impact of the tragic ending and the appropriateness of the opera for this community-focused staging. Although not awarded full five stars, the production received high praise for its achievement and heart-wrenching conclusion, showcasing the potential of young Welsh talent in classical opera.
The Guardian