Marina Sersale’s Monochrome Photography Captures Global Moments in 'Liminal Space'
This article presents a curated gallery of black-and-white photographs by Italian artist Marina Sersale, drawn from her project 'Liminal Space.' The collection spans over a decade of work, capturing candid moments and atmospheric scenes across various international locations, including Italy, Japan, and the United States. Sersale, a former documentary filmmaker who returned to photography in 2012, focuses on the interplay between light, shadow, and human interaction. Key images include couples holding hands in Positano, intimate moments at Naples metro stations, architectural studies in Naoshima inspired by Tadao Ando, and solitary figures in Rome and Palermo. The photographer describes her work as a personal document of the world, emphasizing ephemeral gestures and textures that convey deeper emotional narratives. Published by Gost, the series explores the spaces between reality and imagination, highlighting how simple visual elements can communicate complex human experiences. The article serves as a visual exploration rather than a news report on a specific incident, showcasing Sersale’s instinctive gaze and her ability to find magic in everyday settings, from rain-soaked streets to sunlit beaches.
Wire timeline
Marina Sersale’s Monochrome Photography Captures Global Moments in 'Liminal Space'
This article presents a curated gallery of black-and-white photographs by Italian artist Marina Sersale, drawn from her project 'Liminal Space.' The collection spans over a decade of work, capturing candid moments and atmospheric scenes across various international locations, including Italy, Japan, and the United States. Sersale, a former documentary filmmaker who returned to photography in 2012, focuses on the interplay between light, shadow, and human interaction. Key images include couples holding hands in Positano, intimate moments at Naples metro stations, architectural studies in Naoshima inspired by Tadao Ando, and solitary figures in Rome and Palermo. The photographer describes her work as a personal document of the world, emphasizing ephemeral gestures and textures that convey deeper emotional narratives. Published by Gost, the series explores the spaces between reality and imagination, highlighting how simple visual elements can communicate complex human experiences. The article serves as a visual exploration rather than a news report on a specific incident, showcasing Sersale’s instinctive gaze and her ability to find magic in everyday settings, from rain-soaked streets to sunlit beaches.
The Guardian