Folk Singer Vilma Jää Brings Finnish Traditions to Met Opera's 'Innocence'
Finnish folk singer Vilma Jää has taken on a major role in Kaija Saariaho's acclaimed opera 'Innocence' at the Metropolitan Opera. Originally studying folk music at the Sibelius Academy, Jää was recruited by Saariaho to incorporate authentic Finnish vocal styles, specifically herding calls (Karjankutsu) and Viena Karelian yoik mocking songs, into the character of Markéta. The opera, which premiered in 2021, explores themes of trauma and innocence across two time periods involving a wedding banquet and a school shooting. Jää collaborated closely with the late composer to adapt traditional techniques, such as voice-breaking and high-pitched calls without vibrato, for the operatic stage. Her unique performance contrasts with the classical singing of co-star Joyce DiDonato, adding a layer of raw authenticity to the production currently running in New York through April 29.
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Folk Singer Vilma Jää Brings Finnish Traditions to Met Opera's 'Innocence'
Finnish folk singer Vilma Jää has taken on a major role in Kaija Saariaho's acclaimed opera 'Innocence' at the Metropolitan Opera. Originally studying folk music at the Sibelius Academy, Jää was recruited by Saariaho to incorporate authentic Finnish vocal styles, specifically herding calls (Karjankutsu) and Viena Karelian yoik mocking songs, into the character of Markéta. The opera, which premiered in 2021, explores themes of trauma and innocence across two time periods involving a wedding banquet and a school shooting. Jää collaborated closely with the late composer to adapt traditional techniques, such as voice-breaking and high-pitched calls without vibrato, for the operatic stage. Her unique performance contrasts with the classical singing of co-star Joyce DiDonato, adding a layer of raw authenticity to the production currently running in New York through April 29.
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