Album Review: Udo Lindenberg's Songs Surprisingly Reinterpreted in New Tribute
To celebrate German music icon Udo Lindenberg's upcoming 80th birthday, a new tribute album titled 'We love Udo' has been released. Organized by his long-time manager Rita Flügge-Timm, the project features 24 diverse artists reinterpreting selections from Lindenberg's extensive catalog of approximately 600 songs. The lineup spans multiple generations and genres, including film composer Hans Zimmer, who transforms the hit 'Komet' into a cinematic orchestral piece, and country-rock duo BossHoss, who give 'Reeperbahn' a Wild West flair. Other notable contributors include Jan Delay, Tokio Hotel, Peter Maffay, and Zoe Wees, each imparting their unique stylistic signatures to classics like 'Special Train to Pankow' and 'Good Life City'. The review highlights how these reinterpretations often diverge significantly from the originals, with some covers being so distinct that they might not be immediately recognized as Lindenberg's work. This collection serves as both a reflection on Lindenberg's sixty-year career and a creative exploration of his enduring influence across the German music landscape, blending well-known hits with deeper cuts.
Wire timeline
Album Review: Udo Lindenberg's Songs Surprisingly Reinterpreted in New Tribute
To celebrate German music icon Udo Lindenberg's upcoming 80th birthday, a new tribute album titled 'We love Udo' has been released. Organized by his long-time manager Rita Flügge-Timm, the project features 24 diverse artists reinterpreting selections from Lindenberg's extensive catalog of approximately 600 songs. The lineup spans multiple generations and genres, including film composer Hans Zimmer, who transforms the hit 'Komet' into a cinematic orchestral piece, and country-rock duo BossHoss, who give 'Reeperbahn' a Wild West flair. Other notable contributors include Jan Delay, Tokio Hotel, Peter Maffay, and Zoe Wees, each imparting their unique stylistic signatures to classics like 'Special Train to Pankow' and 'Good Life City'. The review highlights how these reinterpretations often diverge significantly from the originals, with some covers being so distinct that they might not be immediately recognized as Lindenberg's work. This collection serves as both a reflection on Lindenberg's sixty-year career and a creative exploration of his enduring influence across the German music landscape, blending well-known hits with deeper cuts.
DIE ZEIT | Nachrichten, News, Hintergründe und Debatten